kibqu ]

kabit ||

KABIT

llq DnwsrI bjwvY sMig bwsurI ikdwrw AOr mwlvw ibhwgVw Aau gUjrI ]

lalat dhanaasaree; bajaavai sa(n)g baasuree, kidhaaraa aauar maalavaa, bihaagaraa aau goojaree ||

Krishna is playing on his flute the musical modes named Lalit, Dhansari, Kedara, Malwa, Bihagara, Gujri

mwrU Aau prj AOr kwnVw kilAwn suB kukB iblwvlu sunY qy AwvY mUjrI ]

maaroo aau paraja; aauar kaanaraa kaliaan subha, kukabh bilaavalu; sunai te aavai moojaree ||

, Maru, Kanra, Kalyan, Megh and Bilawal

BYrv plwsI BIm dIpk su gaurI nt TWFo dRm Cwie mY su gwvY kwn@ pUjrI ]

bhairav palaasee; bheem dheepak su gauree nata, thaa(n)ddo dhram chhai mai; su gaavai kaan(h) poojaree ||

And standing under the tree, he is playing the musical modes of Bhairava, Bhim Palasi, Deepak and Gauri

qwqy igRh iqAwig qwkI suin Duin sRonn mY imRgnYnI iPrq su bn bin aUjrI ]232]

taate gireh tiaagi; taakee sun dhun sronan mai, miraganainee firata; su ban ban uoojaree ||232||

Hearing the sound of these modes, leaving their homes the doe-eyed women are running hither and thither.232.