sÍYXw ]

savaiyaa ||

SWAYYA

AMq Bey ruiq gRIKm kI ruq vwps Awie geI suKdweI ]

a(n)t bhe rut greekham kee; rut vaapas aai giee sukhadhaiee ||

The summer season ended and the comfort-giving rainy season came

kwn@ iPrY bn bIQn mY sMig lY bCry iqnkI Aru mweI ]

kaan(h) firai ban beethan mai; sa(n)g lai bachhare tinakee ar maiee ||

Krishna is wandering with his cows and calves in the forests and caves

bYT qbY iPr m~D guPw igr gwvq gIq sBY mnu BweI ]

baith tabai fir ma'dh gufaa gira; gaavat geet sabhai man bhaiee ||

And singing the songs liked by him

qw Cib kI Aiq hI aupmw kib ny muK qy iem BwK sunweI ]230]

taa chhab kee at hee upamaa; kab ne mukh te im bhaakh sunaiee ||230||

The poet has described this spectacle in this way.230.

sorT swrMg Aau gujrI llqw Aru BYrv dIpk gwvY ]

sorath saara(n)g aau gujaree; lalataa ar bhairav dheepak gaavai ||

tofI Aau myG ml@wr Alwpq gONf Aau su~D mlHwr sunwvY ]

toddee aau megh mal(h)aar alaapata; gaua(n)dd aau su'dh malhaar sunaavai ||

All of them are causing one another to listen to the musical modes of Sorath, Sarang, Gujri, Lalit, Bhairava, Deepak, Todi, Megh-Malha, Gaund and Shudh Malhar

jYqisrI Aru mwlisrI Aau prj su rwgisrI Tt pwvY ]

jaitasiree ar maalasiree; aau paraj su raagasiree that paavai ||

All are singing there Jaitsri, Malsri and Sri Raga

sÎwm khY hirjI irJ kY murlI sMg kotk rwg bjwvY ]231]

sayaam kahai harijee rijh kai; muralee sa(n)g kotak raag bajaavai ||231||

The poet Shyam says that Krishna, in pleasure, is playing several musical modes on his flute.231.