AQ kir pkr Kylbo kQnM ]

ath kar pakar khelabo kathana(n) ||

End of the description (about amorous play) in Krishnavatara in Bachittar Natak.

rws mMfl ]

raas ma(n)ddal ||

Now begins the description about the play with catching of hands-the arena of amorous sport

svYXw ]

savaiyaa ||

SWAYYA

pRwq Bey hirjU qij ky igRh Dwie gey auT Tayur khw ko ]

praat bhe harijoo taj ke giraha; dhai ge uth thueur kahaa ko ||

PUl rhy ijh PUl BlI ibiD qIr bhY jmnw su qhw ko ]

fool rahe jeh fool bhalee bidhi; teer bahai jamanaa su tahaa ko ||

As soon as the day dawned, Krishna left his house and went to the place, where the flowers had blossomed and Yamuna was flowing

Kylq hY soaU BWq BlI kwib sÎwm khY kCu qRws n qwko ]

khelat hai souoo bhaa(n)t bhalee; kaab sayaam kahai kachh traas na taako ||

He began to play fearlessly in a nice manner

sMg bwjq hY murlI soaU gaUAn ky ims gÍwrnIXw ko ]536]

sa(n)g baajat hai muralee souoo; guooan ke mis gavaiaaraneeyaa ko ||536||

While playing with the pretext of the cows to listen he began to play on his flute in order to call the gopis.536.

sÍYXw ]

savaiyaa ||

SWAYYA

rws kQw kib sÎwm khY sun kY ibRK Bwn suqw soaU DweI ]

raas kathaa kab sayaam kahai; sun kai birakh bhaan sutaa souoo dhaiee ||

The poet Shyam says that on hearing the story of the amorous play, Radha, the daughter of Brish Bhan came running

jw muK su`D inswpiq so ijh ky qn kMcn sI Cib CweI ]

jaa mukh su'dh nisaapat so; jeh ke tan ka(n)chan see chhab chhaiee ||

The face of Radha is moonlike and her body is beautiful like gold

jwkI pRBw kib dyq sBY qwmY rjY brnI nih jweI ]

jaakee prabhaa kab dhet sabhai; taamai rajai baranee neh jaiee ||

The charm of her body cannot be described

sÎwm kI soB su goipn qy suin kY qrnI hrnI ijm DweI ]537]

sayaam kee sobh su gopin te; sun kai taranee haranee jim dhaiee ||537||

On listening to the glory of Krishna from the mouth of gopis, she came running like a doe.537.