SDGSAng 296Chaubis AvtarChaubis Avtar5 linesGuru Gobind Singh Ji

sÍYXw ]

savaiyaa ||

SWAYYA

ib~pn kI iqRX kI sunkY kib rwj khÎo idj Aaur khIjY ]

bi'pan kee tiray kee sunakai; kab raaj kahayo dhij aaur kaheejai ||

Listening to the words of their wives, the Brahmins asked them to relate more

kwn@ kQw Aiq rocn jIX ibcwr kho ijh qy Pun jIjY ]

kaan(h) kathaa at rochan jeeya; bichaar kaho jeh te fun jeejai ||

The story of Krishna is very interesting, repeat it after giving it more thought, so that the life-breath is instilled in us.

qO hs bwq khI muskwie phlY inRp qwih pRnwm ju kIjY ]

tau has baat kahee musakai; pahalai nirap taeh pranaam ju keejai ||

qO Bgvwn kQw Aiq rocn dY icq pY hm qy sun lIjY ]328]

tau bhagavaan kathaa at rochana; dhai chit pai ham te sun leejai ||328||

Those women said smilingly, “Bow before that sovereign Krishna in the beginning and then listen to his interesting story.”328.

sÍYXw ]

savaiyaa ||

SWAYYA

swln Aau AKnI ibrIAw ijj qwhrI Aaur pulwv Gny ]

saalan aau akhanee bireeaa; jij taaharee aaur pulaav ghane ||

nugdI Aru syvkIAw icrvy lfUAw Aru sUq Bly ju bny ]

nugadhee ar sevakeeaa chirave; laddooaa ar soot bhale ju bane ||

The meat roasted and cooked in various ways, dish of rice-soup-meat and spice etc., sweetmeat in the form of drops with a coating of sugar, noodles, preparation of soaked rice perched and beaten in a mortar, laddoo (sweet meat)

Puin KIr dhI Aru dUDky swQ bry bhu Aaur n jwq gny ]

fun kheer dhahee ar dhoodhake saatha; bare bahu aaur na jaat gane ||

ieh Kwie clÎo Bgvwn igRhM khu sÎwm kbI sur Bwv Bny ]329]

eeh khai chalayo bhagavaan giraha(n) kahu; sayaam kabee sur bhaav bhane ||329||

Preparation of rice, milk and sugar boiled together, curd, milk etc., after eating all these, Krishna went towards his home.329.

sÍYXw ]

savaiyaa ||

SWAYYA

gwvq gIq cly igRhko grV`DÍj jIX mY AwnMd pYkY ]

gaavat geet chale girahako; garara'dhavaij jeey mai aana(n)dh paikai ||

soBq sÎwm ky sMig hlI Gn sÎwm Aau syq clXo aunsY kY ]

sobhat sayaam ke sa(n)g halee; ghan sayaam aau set chalayo unasai kai ||

Singing songs and greatly pleased, Krishna went towards his home, Haldhar (Balram) was with him and this couple of white and black looked impressive

kwn@ qbY hiskY murlI su bjwie auTÎo Apny kr lY kY ]

kaan(h) tabai hasikai muralee; su bajai uthayo apane kar lai kai ||

Then Krishna smilingly took his flute in his hand and began to play upon it

TwF BeI jmnw suinkY Duin paun rhÎo suinkY aurJY kY ]330]

thaadd bhiee jamanaa sunikai dhuni; paun rahayo sunikai urajhai kai ||330||

Hearing its sound, even the water of Yamuna stopped and the blowing wind also in a fix.330.

svYXw ]

savaiyaa ||

SWAYYA

rwmklI Aru soriT swrMg mwlisrI Aru bwjq gaurI ]

raamakalee ar sorath saara(n)ga; maalasiree ar baajat gauree ||

jYqisrI Aru gOf mlwr iblwvl rwg bsY suB TaurI ]

jaitasiree ar gauadd malaara; bilaaval raag basai subh thauree ||

The musical modes like Ramkali, Sorath, Sarang, Malshri, Gauri, Jaitshri, Gaund, Malhar, Bilawal etc were played on the flute

mwns kI kh hY gnqI sun hoq surI AsurI Dun baurI ]

maanas kee keh hai ganatee; sun hot suree asuree dhun bauree ||

so suinkY Duin sRaunn mY qrnI hrnI ijm Awvq daurI ]331]

so sunikai dhun sraunan mai; taranee haranee jim aavat dhauree ||331||

Leave side men, even the heavenly damsels and female demons, became mad on hearing the sound of the flute are coming with speed like the does.331