dohrw ]

dhoharaa ||

DOHRA

s`qRh sY pYqwl mY kInI kQw suDwr ]

sa'treh sai paitaal mai; keenee kathaa sudhaar ||

cUk hoie jh qh su kib lIjhu skl suDwr ]755]

chook hoi jeh teh su kabi; leejahu sakal sudhaar ||755||

In Samvat 1745, the story of this poet was improved and if there is any error and omission in it, then the poets may still improve it.755.

ibnq kro doaU joir kir suno jgq ky rwie ]

binat karo dhouoo jor kari; suno jagat ke rai ||

mo msqk qYÍ pg sdw rhY dws kY Bwie ]756]

mo masatak taivai pag sadhaa; rahai dhaas kai bhai ||756||

I request folding both my hands, O the Lord of the world! Thy servent may ever have this wish that my forehead may always remain in love with Thy feet.756.

ieiq sRI dsm iskMDy purwxy bicqR nwtk gMRQy ikRsnwvqwry rws mMfl brnnM iDAwie smwpq msqu suB msqu ]

eit sree dhasam sika(n)dhe puraane bachitr naatak ga(n)rathe kirasanaavataare raas ma(n)ddal baranana(n) dhiaai samaapat masat subh masat ||

End of the chapter entitled “The description of the arena of amorous play” (Based on Dasham Sakandh Purana) in Krishnavatara in Bachittar Natak.